"To send them back—to keep it quiet." The girl had not felt the impulse to ask him to sit down among the monuments of his wrong, so that, nervously, awkwardly, he fidgeted about the room with his hands in his pockets and an effect of returning a little into possession through the formulation of his view. "To have them packed and dispatched again, since she knows so well how. She does it beautifully"—he looked close at two or three precious pieces. "What's sauce for the goose is sauce for the gander!" "He hasn't told her so," Fleda said.!

"She will, as soon as her mother gets home and tells her." Fleda hesitated. "She's rankling under the sense of her wrong."

Mrs. Gereth took her up with a cold smile that seemed the warning of experience against hyperbole. "As long as what, please?" The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture! "Oh, I don't mean with all the things here," he explained in regard to the opinion he had just expressed. "I mean I could put up with it just as it was; it had a lot of good things, don't you think? I mean if everything was back at Poynton, if everything was all right." He brought out these last words with a sort of smothered sigh. Fleda didn't understand his explanation unless it had reference to another and more wonderful exchange—the restoration to the great house not only of its tables and chairs, but of its alienated mistress. This would imply the installation of his own life at Ricks, and obviously that of another person. Such another person could scarcely be Mona Brigstock. He put out his hand now; and once more she heard his unsounded words: "With everything patched up at the other place, I could live here with you. Don't you see what I mean?"